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Paripacaka Tara, the Ripener [13/21]
Tara “who brings to ripeness” is among the most wrathful aspects of Tara, with the power to subdue every difficulty and obstruction.
JigmeSep 17, 2024
SonMani curates, translates, and brings you essays on Vietnamese tradition, history, and art.

Tara “supreme and wholly perfect” is beautiful, half-wrathful and white, her three wide eyes signifying the three doors of liberation.

Tara “the wellspring of realisation” appears peaceful and orange in colour, with the power to heal every kind of infectious bodily disease.

Tara “who consumes suffering” appears peaceful and wholly white, with the power to pacify nightmares and free beings from captivity.

Tara “the victorious” appears peaceful and white, with one face, two eyes and four arms, seated upon a goose.

Tara “who perfects great bliss” appears peaceful and orange in colour, with one face, two eyes and two arms, seated upon a golden sun disc.

Tara “who destroys every attachment” is beautiful and slightly fierce, coral-red in colour, with one face, three eyes and two arms.

Tara “of great peace”, also called Kalyanada Tara, “she who bestows virtue”, purifies every defiling emotion.

Tara “the wrathful” is also called Calad-Bhrikuti Tara, “Tara of the trembling frown”, the second of Tara’s most wrathful aspects.

Tara “who brings to ripeness” is among the most wrathful aspects of Tara, with the power to subdue every difficulty and obstruction.

Tara “who radiates auspicious light” is also known as she “who bestows prosperity”. She sits upon a white moon disc and a lotus of many colours.

Tara “who summons all beings” is also called Apadanasini, she “who drives off misfortune”, or Vipannirbarhana.

Tara “who dispels every sorrow” appears beautiful and peaceful, red as ruby or coral, with one face, two eyes and four arms.

In the Suryagupta tradition either Khadiravani Tara or Varada Tara may stand as the ninth of the twenty-one forms.

Tara “who bestows supreme attainment” destroys the maras that obstruct enlightenment and overcomes every wrong view.

Tara “who crushes every obstruction” appears in a fierce form, four-armed, wholly black, her wrathful face with two glaring eyes.

Tara “victorious throughout the three worlds”, with the power to purify the negativity of every elemental force in the ten directions.

Tara “who proclaims the sound of the seed-syllable HUM”, with the power to subjugate obstruction and free beings from every fear.

Tara of the “victorious (vijaya) crown protuberance (ushnisha) of the Tathagatas”, one of the twenty-one forms of Tara.

Tara “golden in colour” has one face, two eyes and ten arms — signifying the ten perfected paramitas.

Tara “white as the full autumn moon” takes her name from the moonstone (Skt. chandrakanta), the gem that stands for the moon among the nine planets.

Tara “the valiant” is described as emanating like a blazing mass of fire, seated upon her lotus within a triangular, fire-wreathed dharmodaya.

Five main traditions depict the twenty-one Taras: Suryagupta, Atisha, Sadhana-samucchaya, Longchen Nyingtig and Chogyur Lingpa.

Tara is a deity of compassion, carrying beings “across the ocean of samsara to the shore of liberation”.